I am a
textile artist, and most of my works are large
fabric collage landscapes. They are sewn
together like quilts, but are intended to be
hung on walls, as they are made of a wide
variety of shiny, metallic and fragile fabrics,
and are frequently embellished with beads,
buttons, and yarns. The technique is raw-edge
appliqué, and most of the sewing is
freehand machine quilting. All of my work has a
three dimensional element, with surprising
little things popping off the surface here and
there. I like to keep it playful.
My work is
primarily representational, inspired by the
scenes I drive and bicycle through in rural
Mendocino County, where I have lived all of my
adult life. All of my designs are original, and
every piece is one-of-a-kind. I work from my
memory of a particular scene, augmented with
photographs I take myself. I usually include two
perspectives of the same scene in each
piece
the distant view in the background,
framed by highly detailed and greatly enlarged
plants/flowers/fencelines spilling over the
foreground border area. I'm also drawn to
movement, which is so much a part of everything
we see and do in our lives. To try to achieve a
sense of movement in my pieces I cut everything
freehand and allow the pieces to buckle, twist
and fold as I machine appliqué them onto
the layers below. I work fast as a means of
achieving a more dynamic outcome, letting my
energy show in the work.
Though I complete
most of my work alone in my studio before I am
ready to show or sell it, I am also happy to do
commission pieces. I enjoy the process of trying
to understand how another person reacts
emotionally to a favorite place of theirs, and I
am more than willing to go there, take pictures,
and listen well enough to internalize the focus
of the buyer. I gladly accept suggestions for
color, content, and even materials
but,
once I get started on the piece, the artistic
process must remain mine.
My work has been
shown both locally and nationally. Two pieces
are currently in nationwide traveling shows,
having won ribbons in national competitions, and
several others have been juried into shows
across the country. Many of my pieces have won
blue ribbons in local shows in Mendocino County,
and I have recently finished a commission from
Fetzer Winery to do a large quilt, which is
currently on display in their Hopland
headquarters. My work has been published in a
number of books and magazines, both in the US
and abroad. I am co-creator of the "Quilt of
Compassion," which was made in the aftermath of
September 11, and is on world tour for the next
three years.
I am employed as
an Orientation and Mobility Instructor in
northern California, where I have worked for the
past 30 years teaching blind people how to get
around with a white cane. Maybe it is this
all-day focus on lack of sight that makes the
world such a visual treat for me. Other passions
are traveling, kayaking, mountain biking,
backpacking and organic gardening
all
outdoors and energetic. That balances the
solitary, sedentary quilting and writing which
keep me sitting indoors for hours at a
stretch.
I was an art
history major at UC Berkeley, with a minor in
art, and I have a Masters in Education from CA
State University-San Francisco. I am mostly a
self-taught quilter, though I have studied
briefly under Natasha Kempers-Kullen at a
workshop at Asilomar. I have recently begun
teaching art collage quilting, and am holding
classes across northern
California.